Dressage Formula (CD Audio)

Fourth Edition

Erik Herbermann

$15.99 $24.95
Format

Description
This respected title hardly needs introducing. Erik Herbermann's Dressage Formula was first published in 1980 and has been in constant demand ever since. It has now been completely revised and extended for the fourth time and is presented in the same clear format that has helped to make it one of the most consistently popular and widely quoted books on the subject of dressage in print today. Based on the principles of the classical school, the author covers both the aesthetic and practical aspects of riding and training. A deep love for and knowledge of horses illuminates Herbermann's text.

This audio presentation is narrated by the author himself. The chapter introductions, Reflections, and poems are accompanied by brief excerpts of classical music, making this release not only a font for practical information, but also an elegant, enjoyable listening experience.
Additional Information

Author: Erik Herbermann

Format: Audio CDs

Page Count: Run Time: 7 hours, 48 minutes

Illustrations:

ISBN: 978097238714

By Erik Herbermann

Erik Herbermann was born in Amsterdam in 1945. At an early age, he moved with his family to Johannesburg and ten years later to Canada. His initial equestrian training was with Patricia Salt FBHS, herself a pupil of Richard Wätjen and Oberbereiter Lindenbauer at the Spanish Riding School. Subsequently, he studied under the celebrated classical riding teacher, Egon von Neindorff. Now residing in the USA, Erik Herbermann devotes much of his time to lecturing, teaching, and conducting clinics internationally. As well as producing three editions of his perennial bestseller Dressage Formula, and narrating an audio version of its third edition, he has also written numerous articles for equestrian publications in the US, Holland, and Canada. Now, after more than twenty years since Dressage Formula first appeared, he has produced the long awaited A Horseman’s Notes. Erik Herbermann is a staunch advocate of classical ideals, and his ideology is based on an objective study of the horse’s nature, which seeks the depth of understanding and quality of work perceived in the greatest of Renaissance masters. In common with these luminaries he views equitation as a self-improving art, rooted in the utmost of affection and respect for the horse.